The percentage of users who rated this 3.5 stars or higher. How are ratings calculated? At the end of the night, there's no getting around the not terribly glaring, yet still very much active conventions, nor is there any hope of getting around the missteps in storytelling, yet what helps the film in transcending the dangers of falling into forgettability among the crime-drama genre is the subtle, yet handsome style that compliments tone, setting and some heavy action, yet not quite as much as the colorful and very human cast, headed by an especially excellent Joaquin Phoenix, whose layered, emotional and deeply compelling lead performance is among the fair deal of strengths that ultimately make "We Own the Night" a compelling and generally satisfying film. Copyright © Fandango. What really stood out in this film was Joaquin Phoenix's performance as Bobby Green a night club manager whose father and brother are cops. Watch We Own The Night movie trailer and get the latest cast info, photos, movie review and more on TVGuide.com. The drama gains momentum in the second half, so the film gets better, but it's never too far from cliche. No, I'm kidding; this is quite obviously a crime film, and boy, James Gray is not going to let you forget that. Movies: We Own The Night; New York City, 1988. Well, it appears as though the tables have turned since James Gray's last film, "The Yards", and now Joaquin Phoenix is owning the spotlight over Mark Wahlberg, only this time, we have a film that's not as good as "The Yards"... from what I hear, because I haven't seen any other James Gray films. We want to hear what you have to say but need to verify your email. J ames Gray's latest crime drama has all his distinctive sobriety and gloom: a story of brotherly betrayal and redemption unfolding under heavy weather. Among the most-wanted: the Russian mafia, … It's a tough role to play, yet Phoenix makes it look effortless, nailing the initial charisma, but when things begin to unravel and get real, Phoenix molds from that charisma a presence of subtle anguish, as well as strength as the Bobby Green character tries his hardest to keep things as under control as he can, though finds himself held back by pure, scarring fear, and watching Phoenix deliver such a soberingly subtle, emotional and compellingly layered performance is one of, if not the biggest reason to see this film, as it helps the most in giving this film the grit, depth and humanity that makes it a notable entry in a sea of familiar crime dramas. You're almost there! We want to hear what you have to say but need to verify your account. As the film opens, there’s no love lost between prodigal Bobby and his dutiful brother and father. His job is just to run the club. Other than that, this is a good film with a good plot, and great performances. The club is owned by a Russian emigre named Marat Bujayev (Moni Moshonov), whose smile seems sincere, but who is said to control the area's drug traffic. Your Ticket Confirmation # is located under the header in your email that reads "Your Ticket Reservation Details". Just confirm how you got your ticket. J ames Gray's latest crime drama has all his distinctive sobriety and gloom: a story of brotherly betrayal and redemption unfolding under heavy weather. 5 star 61% 4 star 21% 3 star 10% 2 star 4% 1 star 4% We Own The Night. It might have been premature. |, November 5, 2020 Sure it can seem slow, and oft times boring, but thats what Noir films were, a slow burn. First of all, many, if not most, scenes are shot at night with an obvious aesthetic sense. Eighteen-year-old Ingrid North can't wait to get out of her tiny hometown of Steadfast, Nebraska (population three hundred and forty-seven) to chase her dreams, but small-town troubles keep getting in the way. I very much enjoyed the plot of this film, and it had the right amount of drama, and sometimes action. |. An intriguing blend of mainstream audience-pleaser and a more subtle, even intellectual agenda. Write a review. crime, 2929 Productions, Please enter your email address and we will email you a new password. The three first worked together on The Yards. Movie Review “We Own the Night.” That motto is emblazoned on uniform patches worn by a New York City street-crime unit in the 1980s as its officers prosecute a never-ending war on drugs in the Big Apple’s rotten underworld core. It might have been premature. Pretty good drama, We Own The Night is supported by a good cast and has a very good story. 70 … Posted by Noel Megahey Published . This is a very good film, but one that also could have been much better. We Own the Night is a New York based crime drama set in the heady '80s where disco ruled, champagne flowed and cocaine was in abundance. The image is an example of a ticket confirmation email that AMC sent you when you purchased your ticket. | Rating: 2.5/4.0 475 global ratings. Vadim asks Bobby to join him in the drug trade, at the same time the chief orders a crackdown. No year could be considered complete without the obligatory cop-family/friend drama, cast with seasoned actors. Coming Soon. We Own the Night has generally received positive reviews. Sure, the action is so good that, by the climax - during which the film has to be on top of its game, in terms of action -, it doesn't have terribly striking power, yet, the fact of that matter is that the action is still so impressive, having a lot of style, but still plenty of raw realism, as well as focus on substance to not only make the action cool to look at, but compelling in the context of the story. With Joaquin Phoenix, Mark Wahlberg, Eva Mendes, Danny Hoch. Movies: We Own The Night; New York City, 1988. I know before I even open the book that I will cry. The complexity of Bobby's motives grows intriguing, and the concern of his girl friend Amada is well-used. But, taken on its own merits, We Own The Night emerges as a solid, professional job with a keenly observed sense of time and place (the former 1988, the latter Brooklyn). | Rating: 3/5 315 customer ratings. A police raid busts the club, and there are reprisals involving the near-murder of both the chief and the cop. In 1988, New York's police wage an all-out war on drugs, and guilty and innocent alike become casualties. Okay, maybe the film isn't that generic. The palette may look as if its been coated in amber-hued honey, but the color choices drift from warm to cold over the course of the film, assisting the tone of the evolving story. It's just sad that the film couldn't rise to the heights of Phoenix. Don't cops watch their own backs when they know they've been targeted? We Own The Night Review. Your AMC Ticket Confirmation# can be found in your order confirmation email. | Rating: 3/5 Okay, now, I complain a lot about the film falling into some genericism and all, but really, a lot of that is just exaggeration, because the film manages to dodge glaring amateur missteps more than you would expect it to. | Rating: 3/5 Amazed that they managed to take this sort of subject matter and make it boring. [Full review in Spanish]. We Own the Night reunites writer director James Gray with two of his favourite stars – Mark Wahlberg and Joaquin Phoenix. Find album reviews, stream songs, credits and award information for We Own the Night - … One unexpected touch is that the very sexy Amada Juarez (Eva Mendes) is in it for love, not money, really cares for Bobby, gives him good advice, isn't the standard two-timing dame. We Own the Night, takes the spot this year and is Sony Pictures late push for an Oscar bid.. Mark Walhberg is the most failing actor recorded in by book, his character is boring, and Joaquin Phoenix, did he ever copy leo in A New York nightclub manager tries to save his brother and father from Russian mafia hitmen. Of course, if it's anything like this film, then, well, I watched all of his movies a long time ago and many times, because this is pretty darn similar to most every crime movie out there, only with a much cooler title. However I was bit let down. | Fresh (87) He joins forces with his brother for an all-out assault on the mob. It's a standalone romance that solidifies that Corinne lives off the tears of her readers. Forgot your password? Rated R In the small world of Brooklyn cops and robbers, wouldn't a lot of people who grew up with them know Bobby was related to Joseph and Burt? We Own the Night (2007) is a powerful film based on a dark atmosphere, literally and figuratively. James Gray himself has made two earlier films involving Russian crime syndicate members in New York: "Little Odessa" (1994) and "The Yards" (2000, which also starred Phoenix and Wahlberg). It stars Joaquin Phoenix as Bobby Green, the manager of a … We Own Tonight is the newest addition to the fabulous Corinne Michaels' book library. | Rating: 3.5/5 The acting was great, the performance by the three lead actors were just wonderful. | Rating: B- But "We Own the Night" seems less original than the first two, maybe because of the Scorsese film, maybe because Russian gangsters have become the villains du jour (see them portrayed more urgently in David Cronenberg's " Eastern Promises "). by Joaquin Phoenix. James Gray, the filmmaker behind We Own The Night, is not a man to be rushed. I know before I even open the book that I will cry. There are no approved quotes yet for this movie. With a trailer opening like that, the title sounded like it could either go to a cool but generic crime film or a music video to one of those terrible dance club songs that they actually made in 1989 to get ready for the downfall of good music. Six years divided his 1994 debut Little Odessa from its follow-up The Yards, while we’ve had to … We Own The Night (2008), Crime Drama Thriller released in English language in theatre near you. Joaquin Phoenix, looking a … Don't have an account? Bobby "Green's" father is Burt Grusinsky (Robert Duvall), the district police chief. However, while this film isn't as run-of-the-mill as it could have been, it still doesn't go too far without collapsing back into conventions, when it comes to both dialogue and general story structure, and while those slip-ups aren't as striking as they would be and very much are in less competent crime films, they are more frequent than they should be, and a film with a story this potentially refreshing deserves better than that. By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. However, visually the film is often mesmerizing (the car chase and the final gunfight are both beautiful and frightening) and I like how Gray sets up several different potentially cliched Cop film scenarios, only to knock them down. The talent of the three protagonists shines. We Own The Night › Customer reviews; Customer reviews. I overall liked the movie. If it were known that Bobby is related to them, his life would be in danger. With a cast like this, one has a right to expect something amazing, so the fact that We Own the Night is merely "entertaining" might cause disappointment in some quarters. Watch for FREE On Amazon Prime Video Stream on Demand From $2.99 They had such a terrific experience that when Gray’s script found its way to Wahlberg and Phoenix they both decided to produce this film as well"¦ Here in may lie the problem. We Own the Night is a movie about how Martin Scorseses still does, don't expect a crime/drama, this is more of an action/adventure, wow was I sure wrong. Still, as things stand, the collapses into conventions are the least of this film's problems, with the film's biggest problem being missteps in James Gray's storytelling, which isn't to say that it's unrelentingly shoddy, though it is certainly spotty here and there, with moments of exposition and transition going glossed over to create some not terribly gaping, but rather offputting gaps in comfortable story flow, as well as moments of moderate overstyle in the tone, whether it be through the overbearing blasting of the soundtrack or simply too much emphasis on the environment, leaving certain moments of cool-down - some of which being fairly major - in the film to go a tad limp and damage the effectiveness of the story. 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